Dmytro Moldovanov calls himself an "Aboriginal jungle of the Industrial Zone." Instead of the academicism of contemporary art, he prefers complete anarchism. But anarchy is by no means destructive, he finds again a clear view of the world, far from the problems of modern civilization.
By weaving together colorful sensations, he enlivens them with inner symbols. Bears, tigers, lions, and sometimes wild women in the composition of his paintings are somewhat similar. In the human imagination, they are linked by common archetypes.

Dmytro Moldovanov calls himself an "Aboriginal jungle of the Industrial Zone." Instead of the academicism of contemporary art, he prefers complete anarchism. But anarchy is by no means destructive, he finds again a clear view of the world, far from the problems of modern civilization.
By weaving together colorful sensations, he enlivens them with inner symbols. Bears, tigers, lions, and sometimes wild women in the composition of his paintings are somewhat similar. In the human imagination, they are linked by common archetypes.

Dmytro Moldovanov calls himself an "Aboriginal jungle of the Industrial Zone." Instead of the academicism of contemporary art, he prefers complete anarchism. But anarchy is by no means destructive, he finds again a clear view of the world, far from the problems of modern civilization.
By weaving together colorful sensations, he enlivens them with inner symbols. Bears, tigers, lions, and sometimes wild women in the composition of his paintings are somewhat similar. In the human imagination, they are linked by common archetypes.