The conventional colors of Dnipro space are absent, and the viewer sees the landscape in a completely new artistic reality of the artist. Matviy Weisberg pointed out that "The artist, who remains on this side of the dimenson of the picture, is one of the most expressive cases of an observer of the universe, who materially and spiritually testifies to what is happening in space and time. Painting is the most enduring and direct testimony of a man - both about the universe in all its manifestations, and about the witness himself".

The conventional colors of Dnipro space are absent, and the viewer sees the landscape in a completely new artistic reality of the artist. Matviy Weisberg pointed out that "The artist, who remains on this side of the dimenson of the picture, is one of the most expressive cases of an observer of the universe, who materially and spiritually testifies to what is happening in space and time. Painting is the most enduring and direct testimony of a man - both about the universe in all its manifestations, and about the witness himself".

The conventional colors of Dnipro space are absent, and the viewer sees the landscape in a completely new artistic reality of the artist. Matviy Weisberg pointed out that "The artist, who remains on this side of the dimenson of the picture, is one of the most expressive cases of an observer of the universe, who materially and spiritually testifies to what is happening in space and time. Painting is the most enduring and direct testimony of a man - both about the universe in all its manifestations, and about the witness himself".

In "Dedicated to Bruegel" the master sought to convey the mood and light of Bruegel’s works. The work is part of a large cycle "Weak anthropic principle". "This is a scientific and philosophical concept. He says that our universe is built in such a way that a man could appear. He is the witness, the eyes and the ears of the universe. "

In "Dedicated to Bruegel" the master sought to convey the mood and light of Bruegel’s works. The work is part of a large cycle "Weak anthropic principle". "This is a scientific and philosophical concept. He says that our universe is built in such a way that a man could appear. He is the witness, the eyes and the ears of the universe. "

In "Dedicated to Bruegel" the master sought to convey the mood and light of Bruegel’s works. The work is part of a large cycle "Weak anthropic principle". "This is a scientific and philosophical concept. He says that our universe is built in such a way that a man could appear. He is the witness, the eyes and the ears of the universe. "

One of Weisberg's favorite artists is Peter Brueghel the Elder. Weisberg first "turned" to his work when he was asked to write a copy of The Parable of the Blind. The master created a studio for this purpose. He wrote it in the size of a Bruegel canvas. Next time, Weisberg will address Bruegel in the great cycle "Weak Anthropic Principle", writing a large-scale triptych "Remembering Bruegel".
"It was a metaphor, an allusion, an attempt to convey the extraordinary winter Bruegel light on the verge of reality - and yet without crossing that line, using the landscape outside the window of my workshop". Keeping the mood of the Flemish paintings, Weisberg creates almost abstract works. The work was recently seen at Matviy Weisberg exhibition at Khanenko Museum.

One of Weisberg's favorite artists is Peter Brueghel the Elder. Weisberg first "turned" to his work when he was asked to write a copy of The Parable of the Blind. The master created a studio for this purpose. He wrote it in the size of a Bruegel canvas. Next time, Weisberg will address Bruegel in the great cycle "Weak Anthropic Principle", writing a large-scale triptych "Remembering Bruegel".
"It was a metaphor, an allusion, an attempt to convey the extraordinary winter Bruegel light on the verge of reality - and yet without crossing that line, using the landscape outside the window of my workshop". Keeping the mood of the Flemish paintings, Weisberg creates almost abstract works. The work was recently seen at Matviy Weisberg exhibition at Khanenko Museum.

One of Weisberg's favorite artists is Peter Brueghel the Elder. Weisberg first "turned" to his work when he was asked to write a copy of The Parable of the Blind. The master created a studio for this purpose. He wrote it in the size of a Bruegel canvas. Next time, Weisberg will address Bruegel in the great cycle "Weak Anthropic Principle", writing a large-scale triptych "Remembering Bruegel".
"It was a metaphor, an allusion, an attempt to convey the extraordinary winter Bruegel light on the verge of reality - and yet without crossing that line, using the landscape outside the window of my workshop". Keeping the mood of the Flemish paintings, Weisberg creates almost abstract works. The work was recently seen at Matviy Weisberg exhibition at Khanenko Museum.