One of the few prominent artists in the world who works in the traditional etching technique. Masterfully exploring all the possibilities of graphics, he combines in his works a deep tradition and a modern understanding of time and space - the main themes and the problems of creativity.
The "magic of graphics" is fascinating - it immerses the viewer in the mysterious world of the smallest images: plants, animals, buildings, plans, schemes, shadows, signs and more. “Sea Battle I” is a part of the “State of Things” project, which is about the relationship between text and the landscape made of allusions to the simplest tic-tac-toe games and sea battles.

One of the few prominent artists in the world who works in the traditional etching technique. Masterfully exploring all the possibilities of graphics, he combines in his works a deep tradition and a modern understanding of time and space - the main themes and the problems of creativity.
The "magic of graphics" is fascinating - it immerses the viewer in the mysterious world of the smallest images: plants, animals, buildings, plans, schemes, shadows, signs and more. “Sea Battle I” is a part of the “State of Things” project, which is about the relationship between text and the landscape made of allusions to the simplest tic-tac-toe games and sea battles.

One of the few prominent artists in the world who works in the traditional etching technique. Masterfully exploring all the possibilities of graphics, he combines in his works a deep tradition and a modern understanding of time and space - the main themes and the problems of creativity.
The "magic of graphics" is fascinating - it immerses the viewer in the mysterious world of the smallest images: plants, animals, buildings, plans, schemes, shadows, signs and more. “Sea Battle I” is a part of the “State of Things” project, which is about the relationship between text and the landscape made of allusions to the simplest tic-tac-toe games and sea battles.

The artist's passion for graphics, engraving and etching was connected with the very nature of this art, which correlates the best to his creative personality. "My understanding of the term ‘Utopia’ between 1992 and 2005 differed from its generally accepted interpretation, which is an impossible future. All this time I have perceived utopia as what we already had, as what we have today, and I still feel that we have nothing more real than utopia", said Pavlo Makov.

The artist's passion for graphics, engraving and etching was connected with the very nature of this art, which correlates the best to his creative personality. "My understanding of the term ‘Utopia’ between 1992 and 2005 differed from its generally accepted interpretation, which is an impossible future. All this time I have perceived utopia as what we already had, as what we have today, and I still feel that we have nothing more real than utopia", said Pavlo Makov.

The artist's passion for graphics, engraving and etching was connected with the very nature of this art, which correlates the best to his creative personality. "My understanding of the term ‘Utopia’ between 1992 and 2005 differed from its generally accepted interpretation, which is an impossible future. All this time I have perceived utopia as what we already had, as what we have today, and I still feel that we have nothing more real than utopia", said Pavlo Makov.